Ferris Bueller’s “Day Off” was remembered as a classic of the 80s, bringing a good mood, but the ending makes the film much more significant than it seems. Released in the summer of 1986, the film “Ferris Bueller’s Day Off” made Matthew Broderick a global megastar and still remains one of the most famous and beloved roles of the actor. With Broderick in the role of a titled truant who skips school with his best friend Cameron Fry (Alan Ruck) and girlfriend Sloane Peterson (Mia Sarah), “Ferris Bueller’s Day Off” shows how Ferris spends a day of unrestrained fun, while the powers that be—namely Jeffrey Jones’ Ed Rooney —tries to catch him in the act.
John Hughes’ films of the 80s are some of the best films of this decade, and with Ferris Bueller’s day off, he held an absolute master class in creating teen comedy. It just has everything: the cute villain of the main character, a slightly prim but cute partner, a villainous authority figure and parents who are blissfully unaware of the unfolding antics. The teenage rebellion presented in Ferris Bueller’s “Day Off” reflects not only the spirit of the 80s, but also the spirit of youth itself.
After enjoying a day of freedom, Ferris, Cameron and Sloan accidentally destroy Cameron’s father’s Ferrari, which finally causes a change in Cameron’s behavior. Having reached his goal for the day, Ferris rushes home to save his alibi. Although his cover is almost blown, his sister, Ginny (Jennifer Grey), who has been trying to catch him for a walk all day, has changed her mind, helping her brother avoid the consequences of his absenteeism. It was one of the most memorable film finales of its time, and it remains one of the most triumphant moments in all of cinema.
Was Ferris Bueller a figment of Cameron’s imagination?
One of the most persistent theories about Ferris Bueller’s day off is that the main character is actually a figment of Cameron’s imagination. The theory claims that Ferris is the epitome of Cameron’s suppressed rebellious tendencies and that he represents all the things Cameron thinks are too scared to do. That would mean that Ferris doesn’t exist at all, and that Cameron has been running the whole day while resisting it at the same time.
The idea that Ferris Bueller exists only in Cameron’s imagination is interesting, but it’s hardly true. To begin with, Ferris has his own parents and sister, as well as a completely separate house from Cameron. There are also a number of cases where Cameron and Ferris are in two completely different places and doing completely different things, which makes their separate personalities central to the plot. While this theory lends a breathtaking Ferris Bueller day off, there is nothing substantial to back it up.
Why does Ginny decide to cover for Ferris
One of the most important aspects of the finale of “Ferris Bueller’s Weekend” takes place exactly at the moment when it seems that Ferris has finally been caught. Although Rooney seems to have caught Ferris red-handed, Ginny intervenes to protect her brother’s false alibi by challenging Rooney and seeing him off, giving Ferris time to get into bed and feign illness. Ginny’s change of heart is the latest turning point in John Hughes’ beloved comedy, but it’s not something that’s openly explained.
Ginny covering for Ferris is the result of an earlier scene in which she meets an unnamed criminal at a police station. He advises her to worry less about Ferris and think more about herself, and this apparently causes a change in her behavior. Although it’s not explicitly explored, it’s clear that at this point Ginny finally sees things from Ferris’ point of view and decides to act defensively. While Rooney may have been justified in his suspicions about Ferris, Ginny sees an opportunity to take the high road (and possibly earn her brother’s favor in the future), and she uses it — all thanks to the unnamed character Charlie Sheen and his wisdom.
What does Ferrari really mean
In addition to the actors of Ferris Bueller’s “Weekend”, another instantly recognizable object also starred in the film: a bright red Ferrari 250 GT California Spyder of 1961. The car belongs to Cameron’s father, but Ferris persuades his friend to borrow it for the day. Cameron’s extreme concern about the car and the fact that his father found out he stole it is a window into the character’s mind. Towards the end of the film, the car is accidentally destroyed after Cameron finally begins to vent some of his anger at his father.
It is in this scene that the true meaning of Ferrari is established: he represents Cameron’s father and his inappropriate attention.